Nikon D7000 Review

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Review based on a production Nikon D7000 with firmware v1.00, 1: 00 pm, 1.002When it was announced in September the D7000 took a lot of people by surprise. Although a D90 successor had been on the horizon for some time, what wasn't expected was how close in specification terms the new room would turn out to be to the D300S. In some respects, in fact, the D7000 actually outguns its (supposedly) semi-pro cousin, and offers a compelling upgrade option to both D90 and D300S owners, whilst nominally sitting between the two in Nikon's current lineup.

Although, the ergonomically D7000 is a very close match for the D90, its overall ' feel ' is considerably more serious, thanks to a magnesium alloy body shell and slightly thicker rubber coating on the hand grip and rear of the room. At 3 .2MP the D7000 offers the second highest resolution of any Nikon DSLR, behind only the 24Mp D3X. All of these pixels are packed onto a newly developed CMOS sensor, which is almost certainly the same or very similar to that in the Sony Alpha SLT-55. As well As extra resolution, the new sensor also offers a higher standard ISO span of 100-6400, expandable up to the equivalent of ISO 25,600.

The D7000 's AF and metering systems are also new, and represent a significant upgrade to those used in the D90. The new camera boasts a 39-point AF array with 9 cross-type AF points and works in collaboration with a new 2016 pixel RGB metering sensor-to allow 3D AF tracking (essentially tracking by subject color, explained here). Other changes include the same combined live view/movie switch control as the 3100, and a significantly upgraded movie specification, up to ' full HD '-1920 x 1080 resolution at 24 fps. Unlike the D90, the D7000 can also maintain AF during live view shooting and movie, thanks to its AF-F (' full time ') AF mode. D90 owners have been waiting for a replacement camera for a while, and although the D90 isn't set for retirement quite yet, the D7000 certainly represents a compelling upgrade. It took longer than we'd hoped.?€ for a production D7000 to be supplied to us, but now that we've had one for a few weeks we've been able to produce an in-depth review. Read on to find out what we think of Nikon's newest DSLR ...16.2MP CMOS sensor1080p HD video recording with mic jack for external microphoneISO 100-6400 (plus H1 and H2 equivalent to ISO 12,800/25,600) 39-point AF system with 3D trackingNew 2016 pixel metering sensorScene Recognition System (see 2016 pixel sensor, above) aids WB/metering + focus accuracyTwin SD card slots3 8.0 inch LCD screenNew 921k dot Live View/movie shooting switchFull-time AF in Live View/movie modesUp to 6 fps continuous mode dialBuilt-drive shootingLockable in intervalometerElectronic virtual horizonShutter tested to 150 k actuations

The D7000 sits above the D90 in Nikon's current lineup, and as befits its new position in the range, the D7000 combines elements of the D90 with elements of the D300S-Nikon's current APS-C flagship. The most obvious physical clue to its new position is a magnesium alloy body shell, which up to now has been reserved for Nikon's top-end APS-C and full frame cameras.

' Under the hood ' though the differences are legion-a new 4 .2MP CMOS sensor, dual card slots, new 39-point AF array, ' true ' HD movie mode with full-time AF and more customization options, some of which are inherited from Nikon's professional DSLRs. Like the D90, the AF with Nikon D7000 supports's older AF and AF-D lenses (lower-end models are limited to compatibility with AF-S and AF-s optics only) but additionally, because the D7000 has an To indexing tab on its lens mount, up to 9 ' ' non-CPU lenses can also be registered with the Chamber.

This allows the use of virtually any lens To specification or later to be used in aperture priority or manual mode with the D7000, with almost no loss of functionality (apart from AF). Novice DSLR users might never look beyond the horizons offered by their kit lenses, but for the enthusiast, legacy support like this could well be a deal-clincher.

The overall dimensions of the D7000 are very similar to the older D90, but the heavier, magnesium alloy body shell and thicker rubber on the hand grip lend it a "more ' serious ' feel. Higher resolution sensor (14 .2MP vs. 12 .3MP) Choice of 12-bit or 14-bit NEF (RAW) 1080p HD movie modeLimited movie functionalityAF editing possible during video shooting Live View switch (basically the same as D3100) Faster AF in live view mode.Twin SD card slotsNon-CPU lens data function (allows registration of up to 9-G lenses with manual apertures) Magnesium alloy body shellWider ISO span (100-25,600 including ' H1 ' and ' H2 ') Newly developed 39-point AF system ' Quiet ' single frame advance mode ' Proper ' mirror lock-up (as distinct from ' exposure delay mode ') Lockable lid drive mode dialHigher maximum frame rate (6 FPS) Continuous shooting with The option (1-5 fps) 100% viewfinderChoice of 12-bit or 14-bit NEF (RAW) recording in compressed or lossless compressed formatsUp to 9 ' ' non-CPU lenses can be registered (same as D300s/by D3s/D3X) New EN-EL 15 lithium-ion batteryNew MB-D 11 battery pack (magnesium alloy construction)

Ergonomically, the D7000 and D90 are quite similar, and as you can see from this view of the back of the two cameras, in terms of its control layout, the D7000 is very close to the D90. Some controls have changed slightly (the D90 's ' Lv ' button becomes a spring loaded switch for example) but the number of control points is the same and everything is basically in the same place.

* In movie mode, 30 FPS is actually 29.97fps, 24 is actually 23.976fps.

If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).

Conclusion/Recommendation/Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.To navigate the review simply use the next/previous page buttons, to jump to a particular section either pick the section from the drop down or select it from the navigation bar at the top.DPReview calibrate their monitors using Color Vision OptiCal at the (fairly well accepted) PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the (computer generated) grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X, Y and Z and ideally A, B and c. This article is Copyright 2010 and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the author.

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Canon PowerShot S90 Review

Revision based on a production Canon PowerShot S90The arrival of digital SLRs ' accessible ' saw most manufacturers slowly withdrawn from the market of high end compact camera, but recently the models like the Canon G9/G10/G11 and Panasonic LX3 have shown that there is still the question of pocketable camcorders with real photographic controls. And the Panasonic LX3 is that Canon has in its monuments with the latest in what was, for a long time, that purports to be a dead line of cameras stretching back nearly a decade.

The S90 may not seem like much the S80, S70 and all its predecessors, but was conceived much the same spirit; an alternative smaller, more stylish G-series, offering key features passionate (e.g. acquisition of raw materials and manual checks) in a compact body.

Was already in August of 2005 that Canon has launched the latest in its line of s-series compact cameras photographers ', the S80. And if you can see traces of DNA of S60/S70 S80/S90 in is a very different beast from those cameras; the S90 is smaller, thinner-and in many ways more sophisticated, but lost the optical viewfinder and the lack of something to really get no doubt have an impact on operations.

Perhaps the most striking aspect of the new design is the new control ring built around the lens, which can be set for the control of exposure (i.e., speed, Aperture or shutter), AE compensation, step zoom, manual focus and a selection of other functions. Find a way to offer manual controls can use has proved surprisingly difficult for designers normally brilliant of ultra compact cameras (even if we have suggested a traditional ' opening ' ring like this on many occasions); This addition apparently simple has a transformative effect on the usefulness of extensive manual controls the S90.

As with the Panasonic LX3, Canon has chosen to incorporate a relatively large (1/1.7 "0,43 cm?) CCD sensor, which has been designed with high sensitivity, rather than just higher megapixel count in mind, to maximize the light lens. This 10 megapixel sensor is then coupled with latest Digic 4 processor Canon to offer what the company describes as a dual system. Lens control Ring10 million pixels sensorRAW shootingFast f/2.0-4.9 maximum aperture rangeLens covering the classic 28-105 mm rangeDual Anti-Noise (high sensitivity sensor and Digic 4 noise reduction) 3.0-inch PureColor II LCDOptical image StabilizationSmarter DetectionLow Light modeDIGIC 4 scene image output processorHD

The picture below should give you a good impression of how the Canon S90 compare size-wise with Panasonic LX3. It is a bit smaller and more like SD/IXUS than the LX3, its simplistic global design makes it visually appealing so refined.

Sensor

• 1/1.7 CCD "Type
• 10 million effective pixels

Sizes • image: 3648 x 2736
• 3648 x 2048
• 2816 x 2112
• 2272 x 1704
• 1600 x 1200
• 640 x 480
• 320 x 240 Movie clips • 640 x 480 @ 30 fps
• 320 x 240 @ 30fpsFile formats • still: JPEG (Exif v2.2), raw
• Movie: MOV [h.264 + Linear PCM (monaural)] Lens • 28-105 mm (35 mm equiv)
• f = 6.0-22.5 mm
• 3.8 x optical zoom
• F2.0-4.9
• Construction: 11 elements in 9 groups, 7 elements in 6 groups (2 aspherical elements including 1 side item au) Focus • autofocus: TTL
-9 point AiAF
-1-point AF (Center or face select and Track)
• Manual mode focusAF

• Single
• Continuous
• Servo AF/AE

• Evaluative Metering (linked to Face Detection AF frame)
• Center-Weighted Average
• Spot (Center), ISO sensitivity auto •
• ISO 80
• ISO 100
• ISO 125
• ISO 160
• ISO 200
• ISO 250
• ISO 320
• ISO 400
• ISO 500
• ISO 640
• ISO 800
• ISO 1000
• ISO 1250
• ISO 1600
• ISO 2000
• ISO 2500
• ISO 3200Exposure compensation +/-2 EV in 1/3 stop incrementsShutter speed • car (1-1/1600 sec)
• 15-1/1600 secModes

• Auto
• Program AE
• Shutter Priority AE
• Aperture Priority AE
• Manual
• Custom
• Scene
• Low light
• Film

Scene mode

• Portrait
• Landscape
• Nightlife
• Night Snapshot
• Children & Pets
• Indoor
• Sunset
• Foliage
• Snow
• Beach
• Fireworks
• Aquarium
• Underwater
• Highlight color
• Color Swap
• Nostalgic
• Assistance stitch

White balance

• Auto (including Face Detection WB)
• Daylight
• Cloudy
• Tungsten
• Fluorescent
• Fluorescent H
• Flash
• Custom
• Underwater
• Correcting white balance

• Auto Timer 0-30 sec (1-10 frames)
• Face Self TimerContinuous shooting • approximately 0.9 hits per second.
• AF: approx. 0.6 shots/sec.
• LV: approx. 0.8 shots/SEC. (until memory card becomes full) image parametersMy colors (My colors Off, vivid, neutral, sepia, black & white, positive Film, lighter skin tone, darker skin tone, Vivid blue, vivid green, vivid red, Custom Color) Flash auto, Flash on *, Flash Off, slow sync, red-eye reduction
• Sync speed: fastest speed 1/500 sec
• +/-2.0 EV with 1/3 stop
• Face Detection FE compensation
• Safety FE
• Flash Exposure lock
• Manual adjustment of power
• Second Curtain Sync
• Range (ISO Auto): 50 cm-6,5 m (wide)/2.5 m (tele) LCD monitor • 3.0 inch PureColor II LCD (TFT)
• 461,000 pixels
• 100% coverage
• AdjustableConnectivity • hi-speed USB 2.0
• Mini HDMI connector
• AV out (PAL/NTSC switchable) Li-ion battery StorageSD, SDHC, MMC, MMCplus, HC MMCplusPowerRechargeable NB-6 L

If you're new to digital photography, you can read the digital photography Glossary before diving into this article (it may help to understand some of the terms used).

Conclusion/recommendation/ratings are based on the opinion of the reviewer, you should read the entire review before coming to its conclusion.

Images that can be displayed with a larger size have a small magnifying glass icon is at the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.

To pass the review simply use the next/previous page buttons to navigate to a particular section, choose the section drop-down or select it from the top navigation bar.DPReview calibrate their monitors using color vision optical at the PC normal gamma (fairly well accepted) 2.2, this means that on our monitors we can make the difference between all grayscale blocks (computer generated) below. We recommend that you make the most of this review, should be able to see the difference (at least) between X, Y and z and ideally A, B and c. This article is Copyright 2010 and may not, in whole or in part, be reproduced in any electronic or printed publications without prior permission from the author.

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Panasonic Lumix DMC-GF 2 Preview

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Preview based on a pre-production GF2

It's been fourteen months since Panasonic announced its first compact-body 'rangefinder-like' Micro Four Thirds camera, in the shape of the DMC-GF1. This quickly gained a following as arguably the best 'enthusiast' camera of its type, with its solid feature set, fast reactions and body bristling with external controls. But since then the market has moved on and new contenders have appeared on the scene, with Sony's NEX cameras in particular making a splash due to their impressive miniaturisation and excellent image quality. Under this new-found pressure of competition, the GF has slimmed-down and emerged with a new, sleeker look.

The DMC-GF2 is essentially a smaller, externally-simpler version of the GF1 that's acquired many of the feature upgrades we first saw on the G2 (most notably the touch-sensitive screen) plus Full HD video. Its body is smaller in every dimension than its predecessor's, making it very nearly as petite as the Sony NEX-5. In the process, though, it's shed a significant number of those external controls that until now have been the hallmark of the G series - most obviously the exposure mode dial, but also the drive-mode lever that sat beneath it, along with several of the buttons on the back. This places rather greater reliance on the touchscreen for quick operation compared to the G2, and Panasonic has redesigned the interface (and the Quick Menu in particular) to facilitate this.

These changes all signal a clear repositioning of the GF series in the market. Whereas the GF1 was unashamedly a camera for enthusiast photographers, the GF2 is now aimed much more at compact camera owners looking for an upgrade. According to Panasonic the design emphasis has been on offering creative controls as opposed to just providing a simple, unintimidating camera which happens to contain a larger sensor.

Despite this, there's still a smattering of clear updates and improvements over the previous model, and while they're generally more evolutionary than revolutionary, this mainly reflects the maturity of the GF1 design. Most notably, the GF2 gains Full HD movie recording capability (1080i at 60fps from 30p capture) that is supported by a stereo microphone on the top plate. In spec terms, at least, this makes for the most capable interchangeable lens camera movie capability aside from the GH2 (which offers 1080i at 60fps from 60p capture). On the photographic side it inherits the G2's ability to shoot at 2.6 fps while maintaining live view, along with its ISO 6400 maximum sensitivity, improved Auto ISO program and a dedicated iAuto button on the top plate. Meanwhile 3D fans will undoubtedly be delighted by its support for the new H-FT012 lens.

Much of the key spec, though, remains unchanged, including the stalwart (i.e. ageing) 12Mp Four Thirds sensor and the 460k dot 3" 3:2 aspect ratio LCD. The hot shoe and associated EVF port is still present and correct, alongside the little pop-up flash, and thankfully Panasonic hasn't been tempted to discard the clickable thumbwheel that operates the primary exposure controls. However the pared-down body design inevitably means the camera is powered by a new, slightly smaller battery.

One slightly unexpected marketing change is that the GF2 will not be bundled with the 20mm F1.7 pancake lens, but instead come with a choice of either the latest 14-42mm zoom, the diminutive 14mm F2.5 pancake, or in a twin lens kit with both. We're a bit mystified by this decision, to be honest - yes the 14mm gives the smallest possible package, but as far as we're concerned the stop-faster 20mm is a much more useful all-rounder. The GF2 will be available in a choice of colors depending on market (out of black, red, silver, white and pink), and for buyers of the red and black versions the 14mm lens will come with a black (as opposed to steel grey) barrel.

The trimming-down exercise Panasonic has applied to the GF2 means that it's now one of the smallest cameras in its class. Here it is with the 14mm F2.5 lens sitting between two of its direct competitors each kitted out with their respective wideangle pancakes, the Sony NEX-5 + 16mm F2.8 and Samsung NX100 + 20mm F2.8 (the latter is much the same size as the GF1 and the Olympus E-PL1).

The GF2 is, unusually for Panasonic's recent releases, substantially different in design from its predecessor. Here it is sporting the 14mm F2.5 pancake alongside the GF1 wearing the 20mm F1.7. The sleeker, simplified design is immediately apparent.

Here's a brief summary of the major changes between the GF2 and GF1:

Smaller and lighter bodyLCD screen now touch-sensitive, with added anti-reflective coatingFewer external controls (mode dial, drive mode lever, AEL and DOF preview buttons removed)Completely revamped, fully-customizable Quick Menu designed for touchscreen operationBuilt-in stereo microphone1080i 60fps full HD video (from 25p sensor output)Continuous shooting at 2.6fps with Live ViewIncreased maximum sensitivity (ISO 6400)iAuto button on top plateVariable 'Peripheral Defocus' control in iAuto mode, with live previewFull support for F-FT012 3D lensNo remote release socket2nd curtain sync and flash exposure compensation no longer availableNew smaller DMW-BLD10 battery with slightly lower capacity (7.3Wh vs 9 Wh)Sensor• 4/3 type MOS ('Live MOS sensor')
• 13.06 million total pixels
• 12.1 million effective pixels
• RGB (Primary) color filter array• 4/3 type MOS ('Live MOS sensor')
• 13.06 million total pixels
• 12.1 million effective pixels
• RGB (Primary) color filter arrayMovie mode• AVCHD :
1920 x 1080i 60fps (Approx 17 or 13 Mbps)
1280 x 720p 60fps (Approx 17 or 13 Mbps)

• Motion JPEG:
1280 x 720, 30fps
848 x 480, 30fps
640 x 480, 30fps
320 x 240, 30fps

• Stereo sound (with adjustable rec volume)

• AVCHD Lite:
1280 x 720p 60 fps
(Approx 17 or 9 Mbps)

• Motion JPEG:
1280 x 720, 30fps
848 x 480, 30fps
640 x 480, 30fps
320 x 240, 30fps

• Mono sound

LCD monitor • 3.0" TFT LCD monitor
• Touch sensitive
• 460,000 dots
• Approx 100% frame coverage
• 3.0" TFT LCD monitor
• 460,000 dots
• Approx 100% frame coverageRemote release• Wired remote control DMW-RSL1 (optional)Dimensions113 x 68 x 33 mm
(4.4 x 2.7 x 1.3 in) 119 x 71 x 36 mm
(4.7 x 2.8 x 1.4 in) Weight
(body only, no card/battery)

If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).

Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.

Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.

To navigate the review simply use the next / previous page buttons, to jump to a particular section either pick the section from the drop down or select it from the navigation bar at the top.

DPReview calibrate their monitors using Color Vision OptiCal at the (fairly well accepted) PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the (computer generated) grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally A,B and C.

This article is Copyright 2010 and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the author.

View the original article here

Samsung NX10 Review

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Review based on a production Samsung NX10 with firmware v1.05

In the process of re-checking the behavior of the pre-production K-mount adapter used in this review, we found the focus of the main test shot could be improved (as a result of the difficulty of assessing manual focus). This improved shot has now been added and the conclusions adjusted accordingly.

The idea of a mirrorless interchangeable lens camera had been circulating for many years before Panasonic and Olympus announced the Micro Four Thirds camera system in August 2008, so it's not surprising that they didn't have the market to themselves for very long. Back when there was still only one Micro Four Thirds camera on the market, electronics giant Samsung showed a prototype of what was to be the first mirrorless interchangeable camera with an APS-C sized sensor. Ten months later that prototype has evolved into a finished product in the form of the NX10.

While other large manufacturers are starting to talk about launching mirrorless systems, Samsung has become the third manufacturer to actually to turn talk into tangible product. However, while Samsung is only the third party to enter the fray, enough time has passed for the other mirrorless makers to have moved on to their second-generation of cameras, including the newly-launched Panasonic G2 and G10. Between them these two cameras (which like the NX take many of their styling ideas from DSLR designs) are likely to make life pretty difficult for the Samsung. The G10 doesn't match the NX's spec but is aggressively priced while the G2 offers smarter video compression and touch-screen cleverness, which will be attractive to some. And they have the advantage of being second-generation products, with the enhanced level of refinement that this tends to bring.

The big distinction is that Samsung has decided to use the larger APS-C sensor of the type that is the de facto standard size in DSLRs. This offers the potential of good low-light performance (its sensor has a 50% greater surface area than those used in Micro Four Thirds and that means more light for any given exposure) but the lenses are not likely to be smaller than those used on DSLRs.

The NX10's closest competitor is the Panasonic G2 - both are 'SLR style' models with built-in viewfinders and proper external controls. Despite a slightly longer flange-back distance (25.5mm vs 20mm) the NX10 is a considerably more slimline affair. It has a smaller, lower-res viewfinder but offers a larger, higher resolution OLED display, rather than the G2's touch-sensitive, articulated LCD.Samsung NX10 Key Features

15.1 Megapixel APS-C CMOS sensor (presumed to be close relation to Pentax K7 sensor)14.6 million effective pixelsNew Samsung NX mount (25.5mm flange-back distance)720p movie capture (H.264, 30 fps)Contrast-detect autofocus3.0" AMOLED screen (614,000 dots, PenTile RGB array)921k dot Electronic Viewfinder30mm F2 pancake and 18-55mm standard zoom options

Samsung is a global electronics giant, able to draw on resources (and in-house technologies) most camera manufacturers can only dream of. And as one of the newer players in the camera market and crucially one of those without the burden (or blessing, depending on your point of view) of a legacy 35mm system to support, it's hardly surprising that Samsung is one of the pioneers of this new hybrid camera category.

Despite doing pretty well at grabbing a decent share of the compact camera market (mainly, it must be said, by undercutting its Japanese competitors) Samsung has struggled to gain any traction from its partnership with Pentax, which has seen it co-developing sensors (including the one inside the NX10) and slapping its logo on Pentax SLRs. At this year's PMA, Samsung told us that although relationship with Pentax remains one of 'close co-operation', the NX10 has been developed entirely in-house, independently of Pentax (or any other partner: Samsung claims the NX is 100% Samsung).

The current pin-ups of the Micro Four Thirds crowd, the Olympus PEN series, created the biggest buzz of 2009 thanks to their unique retro styling (and by the mere fact that the PEN E-P1 was the first rangefinder style mirrorless interchangeable camera). Looked at from above you can see that the NX10 is considerably bulkier, but crucially (for future development) the body itself (forgetting the protruding bits) isn't a lot thicker - the flange-back distance is only 5mm more. The larger sensor doesn't by necessity mean larger cameras (the NX10 is smaller than the Panasonic G1), but - as you can see above - it does make for slightly larger lenses.As 2010 gets underway, Olympus and Panasonic no longer have the mirrorless interchangeable lens market to themselves. As well as the Samsung NX10, Sony recently announced (at this year's PMA show in Anaheim) its intention to create a mirrorless interchangeable-lens camera as well. The forthcoming Sony offering, like the NX10, will feature an APS-C sensor too. How the market evolves remains to be seen, but for now, it's all very exciting.

Samsung describes NX as a 'hybrid' system (there's still no consensus on nomenclature for this new category of camera) that (to quote the original press release) offers "the performance and image quality of a DSLR and the portability and convenience of a compact point-and-shoot". So far, so Micro Four Thirds with a bigger sensor.

As with Micro Four Thirds the key to NX is that it allows the cameras to be slimmer by removing the mirror box and optical viewfinder and replacing them with an all-live view system (using the sensor itself to display a preview image on the screen or electronic viewfinder). The flange-back (lens mount to sensor) distance is reduced by around 40% to 25.5mm, the lens mount itself is shrunk and the net result is a camera with an SLR-sized sensor and interchangeable lenses, but in a considerably smaller package.

For Samsung, a company with little experience in optics but an awful lot of experience in solid-state electronics it's also a way to make a system camera that contains little, if any legacy technology and very few moving parts. Digital SLRs use a sometimes awkward pairing of cutting edge electronics and decades-old mechanical systems harking back to the days of film, whereas these new 'hybrid' system cameras are designed and built from the bottom up as purely digital devices. It's our understanding that they're also a lot cheaper for a company like Samsung and Panasonic to make than anything requiring a precision engineered fast-moving mirror and reflex viewfinder.

At present, the NX system is fairly small, but five more lenses are on the way, including a 20mm pancake, a 60mm macro, and a new 18-200mm 'superzoom'. For now though, the NX system comprises the following:

NX10 bodyThree lenses (30mm, 18-55mm, and 50-200mm)Dedicated flashguns (SEF20A or SEF42A)Various cases, straps and cables

If you're new to digital photography you may wish to read some of our Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).

Conclusion / recommendation / ratings are based on the opinion of the author, we recommend that you read the entire review before making any decision. Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of them, click to display a larger image in a new window.

To navigate this article simply use the next / previous page buttons or jump to a specific page by using the drop-down list in the navigation bar at the top of the page. You can support this site by ordering through the affiliate links shown at the bottom of each page (where available).

This article is protected by Copyright and may not be reproduced in part or as a whole in any electronic or printed medium without prior permission from the author.

Dpreview use calibrated monitors at the PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally also A, B and C.

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Panasonic Lumix DMC-G10 Review

Revision based on a production DMC-G 10This is the last in our series of new ' Quick ' Reviews. We will use this format for the cameras that are functionally similar and identical in terms of output in templates that we have already reviewed. We test to confirm the quality of the image is identical (noise testing and shots of our ' than ' scene study at all), then focus the review about the differences between the two cameras. Learn all about the camera you are interested in we recommend reading not only the rapid, but also the full review of the Panasonic Lumix DMC-G 2.Panasonic Lumix DMC-G10 is (with the G2) latest Panasonic's pioneering mirrorless system camera of g. G10 series is a new camera, but in many ways represents a synthesis of elements from other models of the series. The G10 has the same sensor as the G2 and G1 as the original is a style similar to a DSLR ' traditional ', but as the GF1, the LCD is hard, rigid. Unlike the GF1, G10 offers a built-in EVF (of the same specification as the unit of viewfinder optional DMW-LVF 1E which is available for the GF1), but the resolution is lower than that of the G1, GH1, G2, 202 k dots than 1,4 million pixels. G10 EVF is a more conventional grid, too, instead of field-sequential display used in G2. Basically, then, the G10 is a stripped-down version of G2, aimed squarely at entry-level users. The essence remains the same (sensor, AF/measurement system) but G10 lacks the most expensive extra found in high-end model, such as complex a touch-sensitive LCD screen and high resolution EVF. As such, is a model of ' budget ' G10 and represents the first real attempt with a Panasonic Micro Four Thirds camera to compete with entry-level DSLR. It can compete with the likes of D3000 Nikon and Canon EOS 1000D? Read on to find out. G10 is a stripped-down version of G2, is more expensive in terms of ergonomics and certain aspects of its specification. Here are the main differences: approx. 32 g lighterSlightly/push button layouts topplateNo EVF/LCD auto switchSignificantly low resolution EVF (202 K dots over 1.4 million points and not sequential field) fixed, do not touch-sensitive screenNo option (lite) AVCHD recording movie mode LCD (JPEG only) no plug-in for movie recording button dedicated external microphoneNo (accessed from the movie mode of exposure mode selector)
Panasonic DMC GF1• AVCHD video Mode:
1280 x 720

• JPEG:
1280 x 720, 30 fps
848 x 480, 30 fps
640 x 480, 30 fps
320 x 240, 30 fps

• AVCHD:
1280 x 720, 60/50 fps

• JPEG:
1280 x 720, 30 fps
848 x 480, 30 fps
640 x 480, 30 fps
320 x 240, 30 fps

• JPEG:
1280 x 720, 30 fps
848 x 480, 30 fps
640 x 480, 30 fps
320 x 240, 30fpsAudio • Mono (stereo via external microphone connector) • Mono (stereo via external microphone connector) LCD screen • 3.0 TFT LCD monitor "
• 460,000 dots
• Approx. 100% coverage
• 3.0? TFT LCD monitor
• 460,000 dots
• Approx. 100% coverage
• Multi-angle swing and tilt (swing 180 ?, 180 ? swivel)
• Sensitive • 3.0 TFT touch LCD monitor "
• 460,000 dots
• CoverageViewfinder • Approximately 100% optional
• magnification x 1.04
• 0.52 x (35 mm equiv)
• 202 k dots
• 100% FOV
• 1 x magnification
• 0.7 x (35 mm equiv)
• k 1440 dot equiv
• 100% FOV
• magnification x 1.04
• 0.52 x (35 mm equiv)
• 202 k dots
• 100% FOV

If you're new to digital photography, you can read some of our digital photography Glossary before diving into this article (it may help to understand some of the terms used).

Conclusion/recommendation/ratings are based on the opinion of the author, you should read the entire review before making any decision. Images that can be displayed with a larger size have a small magnifying glass icon is in the lower-right corner, click to view larger image in a new window.

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DPReview use calibrated monitors at PC normal gamma 2.2, this means that on our monitors we can make the difference between all grayscale blocks below. We recommend that you make the most of this review you should be able to see the difference (at least) between X, Y and z and ideally also A, B and c.

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Olympus XZ-1 Preview

Preview based on a pre-production XZ-1In 2001, when it was possible to charge $ 999 for a compact camera, Olympus C-3040Z brewed, C-4040Z and C5050Z which contained some of the brightest ever zoom appear on these cameras. Unfortunately, as the years have gone ahead and prices fell, Olympus moved away from this part of the market and has been a long time since we looked at it for leading compact class.Despite the declining price of entry-level DSLR and the arrival of their more compact, mirrorless contenders, the compact sector has seen a shooting enthusiast, with Samsung and Nikon and Canon weighing-in going with bringing a second template for melee (revive the PowerShot S90 ' series to sit alongside the company's courageous g series). Olympus, meanwhile, has remained quiet.Today it becomes obvious that it hasn't been sitting-has clearly been watching the sector very closely and has studied the cameras available sharply. The result is the XZ-1: a compact enthusiast that takes the best elements of its rivals and synthesize them into a very attractive package.Of course, there's a bright lens with XZ-1, becoming the first company ever to wear compact designation respected ' Zuiko '. And it is clear why the company wants to draw attention to optics, after creating the lens zoom brighter than any current compact while still offering a range really useful. The lens of i. Zuiko is F1.8 at 28 mm equivalent and a F2.5 yet very impressive setting of 112 mm.But it doesn't end the specs on the lens-XZ-1 is built around a high sensitivity 1/1.63 "CCD, along with his peers, making it one of the biggest sensors to appear in a compact camera with a built-in lens. In addition, two control knobs (including a quadrant S90-style around the lens) and a brilliant high resolution OLED screen. Other highlights include a high-end flash hot shoe, and the ability to wirelessly control flashguns. It is difficult to imagine what could have mounted Olympus body nigrifons on attractive metal XZ-1.Olympus XZ-1 Specifies highlights: high sensitivity 10MP CCD sensor28-112 mm equivalent: 2.5-lensF1.8 apertureCCD-maximum displacement control dials image stabilizationTwin, including one around lensISO 100-6400New V TruPic processor (as in pen series of company) large 3.0? 621 k (VGA) display720p OLED film mode (30 fps Motion JPEG) HDMI Micro connector6 art filters (like the series of pen) On-camera flash in conversionBuilt-RAW, hotshoe flash and remote controlBuilt-in ND filter

If you're new to digital photography, you can read the digital photography Glossary before diving into this article (it may help to understand some of the terms used).

Conclusion/recommendation/ratings are based on the opinion of the reviewer, you should read the entire review before coming to its conclusion.Images that can be displayed with a larger size have a small magnifying glass icon is at the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.To pass the review simply use the next/previous page buttons to navigate to a particular section, choose the section drop-down or select it from the top navigation bar.DPReview calibrate their monitors using color vision optical at the PC normal gamma (fairly well accepted) 2.2, this means that on our monitors we can make the difference between all grayscale blocks (computer generated) below. We recommend that you make the most of this review, should be able to see the difference (at least) between X, Y and z and ideally A, B and c. This article is Copyright 2011 and cannot, in whole or in part, be reproduced in any electronic or printed publications without prior permission from the author.

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Olympus PEN E-P1 Review

Revision based on a production and-P 2 with firmware 1.1This is the second of our new ' quick ' Reviews. We will use this format for the cameras that are functionally similar and identical in terms of output in templates that we have already reviewed. We test to confirm the quality of the image is identical (noise testing and shots of our ' than ' scene study at all), then focus the review about the differences between the two cameras. Learn all about the camera you are interested in we recommend reading not only the quick review but also the complete review of sister camera-the Olympus E-P1.Ten months passed between the ad format Micro Four Thirds mirrorless interchangeable lens and unveil its first model of Olympus. For much of this time that Panasonic had sold their G1 DSLR like while all we see from Olympus was a mock-up design that has admitted that it was not feasible at that time. But in June 2009, Olympus finally revealed the camera responsible for our preview read most ever-the E-P1. The company was able to do what very few large players present might — build a history of compact cameras to photographers. And, in doing so, appeared to provide the camera that we're asking manufacturers to make for many years-a small camera with a good level of photographic control and a large sensor (Sigma had only really tried this before).The E-P1 is able to penetrate a relatively small, most excellent E-620 DSLR company beautifully style housing made of metal in a way that appeals to well beyond the camera-geek demographic. Was not without its problems, however-the main one, as its autofocus system that was pretty slow compared to the Panasonic g-series. Its control system, inherited from system wholesale and four thirds DSLRs, not always perfectly translate how are arranged buttons (the newest, simplest and-PL 1 and firmware updated Panasonics make this more evident than it was at the time of review).Then, a little over five months later and only a few weeks later, Epson has announced a display in the viewfinder, high-resolution, Olympus has launched E-P 2. The only major difference is the addition of an accessory port on the back of the camera under the flash hot shoe Mount. This may not sound like a big deal, but allow users to address, one of the criticisms leveled at us and-P 1-lack of viewfinder and the difficulty of shooting in light that this entails.Olympus has worked hard to increase the speed of AF series pen and this quick review is based on the last version that promises faster focus yet the entire range (E-P1, P2 and and and-PL 1). However, while it was designing its new lenses, specifically the 9-18 mm wide angle and 14-150 mm superzoom, with lightweight, single internal focus group for fast focus, the company is not redesigned its zoom 14-42 mm kit to offer the same advantages 12.2 MP Four Thirds TruePic V image processor ' Live MOS ' sensorIn-body image stabilization (said to be effective for 4 stops of stabilization) engine8 ' Art Filter ' creative image effectsClassically style casingAccessory metal door for Add-ons such as trackingi viewfinderAF electronics-improve ' HD video color recovery 6400720p 100-function ' ISO (MJPEG) with sound3 2.0 stereo LCD 230 k dot "screenFace detection (up to 8 faces) virtual-horizon level adjustmentAF well adjustShadow technology Adjustment (tuning Adaptive tone curve)

If you're new to digital photography, you can read the digital photography Glossary before diving into this article (it may help to understand some of the terms used).

Conclusion/recommendation/ratings are based on the opinion of the reviewer, you should read the entire review before coming to its conclusion.Images that can be displayed with a larger size have a small magnifying glass icon is at the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.To pass the review simply use the next/previous page buttons to navigate to a particular section, choose the section drop-down or select it from the top navigation bar.DPReview calibrate their monitors using color vision optical at the PC normal gamma (fairly well accepted) 2.2, this means that on our monitors we can make the difference between all grayscale blocks (computer generated) below. We recommend that you make the most of this review, should be able to see the difference (at least) between X, Y and z and ideally A, B and c. This article is Copyright 2009 Dpreview.com and the revision in whole or in part may not be reproduced in any electronic or printed publications without prior permission from the author. For information on reproduction of any part of this review (or any images) please contact: Phil askey

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Bibbl Labs releases Bibbl 2 5.

MacBibble Labs announced version 5.2 of its software for RAW workflow. This is the final version of the update sent as a "release candidate" in December and is now available for immediate download. The latest version provides support of raw to fourteen additional cameras including Nikon D7000/D3100, Panasonic DMC-GF 2, Pentax K-5 and Olympus E-PL 2. Lite versions is Pro 5.2 MacBibble includes improvements and bug fixes.

Click here for more information and to download the MacBibble V5.2

Press release:

Selective Editing enhancements, support for new camera RAW formats 14 & much moreAustin, Tx, January 20, 2011: MacBibble Labs, Inc. is pleased to announce the immediate availability of MacBibble 5.2 Pro and MacBibble 5.2 Lite. This free update for all existing customers of 5 MacBibble adds support for 14 new RAW formats, including Nikon D7000, P7000 D3100, and Panasonic by LX5, dei Famosi and GH2 and includes significant improvements already powerful selective Editing features of MacBibble 5, and many other improvements.
"We've been hard at work since we launched MacBibble 5.1 in June," says Jeff Stephens, President of MacBibble Labs, Inc., "and we're thrilled to still be able to provide a free upgrade to all our customers MacBibble 5 with so many improvements".selective Editing improvements
Selective Editing framework of MacBibble 5 receives several important improvements in this version, starting with the addition of copy & paste for levels and regions. This allows photographers to make selective adjustments to an image and then apply those changes selective themselves on many similar images in an instant. Moreover, it is now adjustable, allowing photographers to quickly adjust the strength of many adjustments in a single layer with a single slider opacity level.

Similarly, individual regions can be removed, instead of adding, areas for adjustment layers. This allows better control and adjustment layer selective editing in MacBibble 5. Finally, the regions have been updated to transform and adjust with geometrical changes to a picture-straightening, cropping, or distortion of perspective. MacBibble 5.2 Lite also increases the number of regions Heal & Clone that can be applied on a single image, from 3 to 20 regions.

Extensive support for RAW files, with 14 new models
5.2 MacBibble adds support for 14 new RAW formats, including Nikon P7000 D3100, D7000, S95, G12, Canon, Panasonic by LX5, GH2, dei Famosi, Pentax K-5 K-r, Olympus E-3, and-PL PL-1s, and 2 and the Ricoh GXR P10. This is the sixth update that expands RAW support since MacBibble 5 was released just over a year ago, bringing the total number of RAW formats are supported to 200. Complete list of supported RAW formats here.

Many other areas of improvement
"We are always looking for ways to increase the speed of our customers ' total work, and 5.2 MacBibble offers several significant improvements of workflow to do just that," says Stephens. Copy Set is one such feature, allowing photographers to assign shortcut keys to editable adjustment settings or metadata one or many. By pressing the shortcut key combination only copy those settings from the selected picture-that allows photographers to quickly paste only IPTC data, or just the noise reduction settings or any other setting groups.

The Preferences window in MacBibble gained also features 5, offering several new preference panels to allow photographers to fine-tune 5 MacBibble even more to match how they want to work. With the new panels for copy set, the Default settings and default culture, photographers now have more ways than ever to customize MacBibble to match their workflow.

Also included are many other small improvements that streamline and speed up your workflow with 5 MacBibble. Creating a new version automatically selects the new version, and deleting a version automatically selects the Master version. Clicking anywhere on a closed panel will open that Panel and dragging a tab thumbnails on one of these panels will automatically switch to that tab. Automatic lens ID has been improved for many Nikon bodies.

5.2 MacBibble also solves many problems found in previous versions of 5 MacBibble and brings substantial stability improvements for many of our customers. And MacBibble Labs has further enhanced their RAW plugin SDK, enabling developers of plugins, more flexibility and control. New in MacBibble 5.2, plugins can now make changes as geometric perspective correction and may increase or change the size of the overall image. This allows new types of plugins, as Halo plugin that adds a border to a photo out and much more. "Individually, these are all small changes," continues Stephens, "but all these and many other refinements, large and small, make MacBibble 5.2 the best upgrade we've provided".

Learn more about MacBibble 5
There are more and more ways to learn about 5 MacBibble and perfect your photography workflow using MacBibble 5. Texas photo Workshop continues to offer Photographic Workflow foundations with their online workshop MacBibble 5 dedicated to workflow MacBibble 5. New workshops begin every week or two, with the forthcoming opening of 31 January.

And, just in time for release 5.2 MacBibble, has just launched the first-party publication about 5 MacBibble!Andreas Siegert Leach and Marco Frissen, two long-term members of the community, presenting their MacBibble e-book "The MacBibble Survival Guide" at http://www.bibblesurvivalguide.com. 200 + page PDF e-book is now available for purchase through their website. The e-book shows you how to get the most out of MacBibble for newcomers, but also in-depth information for more experienced users.

Prices, availability and updates
MacBibble 5.2 Pro and MacBibble 5.2 Lite are available immediately for Windows, Mac and Linux for $ 199.95 and $ 99.95, respectively, from http://bibblelabs.com. MacBibble Labs customers who have purchased 4 MacBibble since September 2006 are eligible for a free upgrade to 5 MacBibble. 5.2 MacBibble is a free upgrade for all customers of 5 MacBibble currents.

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Kingston releases UHS-I UltimateXX SDHC memory cards

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Pre-CES 2011: Kingston Technology has released the UHS-UltimateXX 233 x SDHC memory cards in 16 GB, 16 GB and 32 GB capacities. They offer maximum read speeds of up to 60 MB/s and up to 35 MB/sec. of write speeds. The performance of The cards is optimized when paired with UHS-I compatible devices, and supports 3D and full HD video recording features of recently released cameras.

Press Release:

International CES 2011 Las Vegas, NV and Fountain Valley, CA--January 5, 2011--Kingston Digital, Inc., the Flash memory affiliate of Kingston Technology Company, Inc., the independent world leader in memory products, today announced the UHS-I UltimateXX SDHC memory cards. The highest speed class available today, the UltimateXX meets standards set by the Secure Digital Association for next-level performance in SD card technology.

Shipping later this month, Kingston's UltimateXX memory cards are ideal for the serious photographer or videographer. Photographers will appreciate the ability to easily capture sequential shots that were once a challenge due to the speed limitations of memory. The UltimateXX also makes it easy to capture HD video. The performance of SDHC UHS-I memory card is optimized when paired with a UHS-I device, although the card is backwards compatible with Class 4, 6 and 10 equipment.

"Kingston is pleased to be one of the first manufacturers to offer SDHC UHS-memory cards to our customers," said Mike Kuppinger, Flash card product manager, Kingston ?. "Being a member of the SD Association enhances our ability to bring new technology to market. As the devices that support SDHC UHS-I become prevalent, our UltimateXX cards are at the ready. "

Kingston's UltimateXX line meets the SD Association standards for the UHS-the speed class with speeds up to 60 MB/sec. read and 35 MB/sec. write. At this performance level, the write speed of SDHC UHS-memory cards is more than three times as fast as SDHC Class 10 cards. The UltimateXX product line will offer capacities of 8 GB, 16 GB and 32 GB.

Kingston SDHC UHS-1 UltimateXX Features and Specifications:

Performance: 233 x – up to 60 MB/sec. read, and 35 MB/sec. write Fast: ultra high-speed bus (UHS-I) Compliant: with the SD Card Association specification version 3.01 Secure: built-in write-protect switch prevents accidental data loss Compatible: with SDHC and SDXC host devices, not compatible with standard SD-enabled devices/readers Reliable: lifetime warranty Simple: as easy as plug-and-play Capacities *: 8 GB, 16 GB, 32 GB Dimensions: 0.94 "x 1.25" x 0.08 (24 mm x 32 mm x 2.1 mm) Weight: 0.09oz (2.5 g) Storage Temperatures:-40 ? F to 185 ? F (-40 ? C to 85 ? C) Operating Temperatures:-13 ? F to 185 ? F (-25 ? C to 85 ? C) Voltage: 3 .3V File Format: FAT32

* Some of the listed capacity on a Flash storage device is used for formatting and other functions and thus is not available for data storage. As such, the actual available capacity for data storage is less than what is listed on the products. For more information, go to Kingston's Flash Guide at Kingston.com/support/flash_memory_guide.

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DPReview returns International CES

DPReview.com is back from Las Vegas and return to work of turning our previews full of reviews. This year we brought two previews of the camera, a gallery of examples, over 30 news, a report from the CES digital experience event, eight reports of stand and a roundup of some of the latest developments in the camcorder-conventional and 3D. We also published two short interviews and have at least one more on the way.

As always, in addition to writing reports and publishing news, we took the opportunity to speak with all major producers, who attended the show this year. Inevitably, much of what we talked about must remain confidential, but we can tell you that 2011 has the potential to be very exciting and we assure-dpreview will continue to bring the best and most thorough news, previews and reviews available anywhere. Thanks for reading. click here to look back at our complete coverage of CES

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Just posted: Olympus Samples Gallery XZ-1

just released:Olympus XZ-1 sample photos. While we were attending CES in Las Vegas, we were offered a standard version of latest generation enthusiast compact camera from Olympus. Camera 10Mp with its 28-112 mm lens and impressive range of maximum aperture F1.8 – 2.5 seemed too good to resist. We brought with us wherever we went, and have prepared a sample gallery of shots, including a series of ISO and aperture settings to help take a look at the performance of the camera.

There are 24 images in Gallery samples. Please do not reproduce any of these images on a Web site or any newsletter/magazine without prior permission (see our copyright page). We make available to home users download their original machines for personal examination or print (in conjunction with this review), we must do so in good faith, please do not abuse it.

If not specified Unlike pictures taken without any special settings at full resolution. A small image (up to 1024 x 1024) is provided to display more easily in your browser. As always the original image intact is available by clicking on this image.

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Nikon delays launch of 3D my Picturetown service

Nikon has announced a delay in the launch of ' my Picturetown ' 3D, 3D imaging service Japan only. The service that was supposed to launch this month is now rescheduled to March 2011 due to production problems with NF-300i 3D digital photo frame. The service provides online conversion of 2D and 3D images for 3D format compatible with the NF-300i

Press release:

January 20, 2011: Nikon Corporation (Makoto Kimura, President) and Nikon Imaging Japan Inc. (Takao Nishioka, Chairman) have announced the launch of my Picturetown 3D services.

25 November 2010, it was announced that my Picturetown 3D services is scheduled for launch in late January 2011. However, the launch of the services will be delayed until the end of March due to circumstances relating to the production of NF-300i 3D digital photo frame.

More information regarding the launch of services will be announced on my Picturetown 3D official site (http://3d.mypicturetown.com/) as it becomes available.

We apologize to all potential users of the services and especially to those who have already applied for them, for the inconvenience. We are working hard towards the launch of my Picturetown 3D services and appreciate your continued patience.

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Nik Software announces Silver Efex Pro 2

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Nik Software has released version 2 of its Silver Efex Pro for black and white conversion plug-in for Adobe Photoshop, Lightroom and Apple Aperture. The upgraded version includes a history palette and better control for adjusting detail, contrast, and tonality. It is available from February 2011 at a suggested retail price of $ 199.95 or $ 99.95 to version one users.

Jump to:

Press Release:

New and more powerful features make it easier than ever to create stunning black and white images

San Diego, CA – January 17, 2011 – Nik Software (www.niksoftware.com) announces today the Silver Efex Pro 2, a major upgrade to its award-winning Silver Efex Pro software, widely regarded by photographers as the leading black-and-white software solution on the market today. Silver Efex Pro 2 introduces new features that offer even more control over detail, contrast, and tonality, making it easier than ever to transform color photographs into stunning black and white images. Silver Efex Pro 2 includes new features such as the History Browser, Dynamic Brightness Blacks, Amplify, Amplify Whites, Soft Contrast, Fine Structure, Image Borders, and selective colorization, as well as a variety of speed and quality improvements. The new features of Silver Efex Pro 2, combined with Nik Software's award-winning U Point ? technology, will continue to evolve black-and-white photography. To learn why Silver Efex Pro is the leading black-and-white imaging software users can watch training videos, download a free trial, and join live online training sessions at www.niksoftware.com/silverefexpro.

"Silver Efex Pro 2 has been created to provide photographers with the world's best black and white conversion software enabling them to utilize new and powerful capabilities that were not available in the traditional darkroom," said Michael j. Slater, President and CEO of Nik Software.

Ideal for any photographer passionate about black and white photography, Silver Efex Pro 2 features a wide variety of innovative enhancements to ensure the highest quality results. Silver Efex Pro includes unique features and functions, including specially designed algorithms for black and white photography, a unique all-in-one workflow, and the ability to fine-tune images with precise selective adjustments powered by U Point technology.

Nik Software's proprietary U Point technology provides revolutionary selective editing by enabling photographers to precisely make detail, contrast, and tonality enhancements without the need for complicated selections or layer masks. Enhancements are automatically blended throughout an image for natural results. Finishing adjustments such as vignette controls, toning, burn edges and borders make it possible to easily accomplish everything needed for amazing black and white images.

Silver Efex Pro 2 is the first Nik Software product to take full advantage of the latest graphics processing units (GPUs). Nik Software has worked closely with NVIDIA Corporation and has incorporated the GPU-based image rendering to offer the fastest, most efficient processing on systems equipped with dedicated GPU processors.

"We are extremely excited that Nik Software's Silver Efex Pro 2 taps into the power of the many cores available on GeForce GPUs to deliver multiples of performance beyond the CPU alone" said David Ragones, Director of Product Marketing, NVIDIA.  "Photo enthusiasts can now take advantage of all the available horsepower in their computers to produce beautiful black and white images."

Key Features

NewHistory Browser facilitates intuitive comparison of previous edits and different New looks Dynamic Brightness enables adaptive brightening adjustments for different areas in the New image Amplify Blacks and Whites increases Amplify the presence of highlights and shadows "adaptively throughout the image, creating a unique contrast t effec New Visual Presets categorized by photographic style provide great, single-click starting points, which can be edited and shared New with others Soft Contrast applies contrast intelligently, based on the image details, creating a less harsh contrast and a stylized New mood End Structure brings out even the smallest details and textures resulting in more visible image detail without creating an over- sharpened look New Image Borders use organic image elements to create unique and completely random borders, giving classic darkroom-style edges a modern look with New endless possibilities Selective colorization easily adds color elements back into images utilizing U Point technology to precisely New select objects GPU Processing takes full advantage of the processors found on advanced display adapters providing even faster performance

Pricing and Availability
Silver Efex Pro 2 will be available in February 2011 directly from Nik Software (www.niksoftware.com), through specialty camera retailers, and through online and national resellers. A list of Nik Software resellers may be found at www.niksoftware.com/resellers.

The suggested retail price of Silver Efex Pro 2 is $ 199.95.  Upgrades from the first version are $ 99.95. Customers who purchased Silver Efex Pro or a Complete Collection bundle after December 6, 2010 are eligible for a free upgrade. To pre-order Silver Efex Pro 2, users can visit www.niksoftware.com/silverefexpro.

Silver Efex Pro 2 installs as a 32-bit and 64-bit plug-in for Adobe ? Photoshop ? CS4 or later, Adobe Photoshop Lightroom ? 2.6 or later (Windows and Macintosh) or Apple ? Aperture ? 2.1.4 or later (Macintosh). For more information about Silver Efex Pro 2, including a video tutorial and a free 15-day fully functional trial version, please visit: www.niksoftware.com/silverefexpro.

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Just released: upgrade to 2010 enthusiast compact Group Test

just released: An update to our recent group test of the Canon Powershot S95, Panasonic Lumix by LX5 and Nikon Coolpix P7000. After the release of firmware v1.1 for the Nikon P7000, claimed to reduce the time to write RAW, we retested the P7000 and updated review. Is the increased operational speed enough to make the top score P7000 against Canon Powershot S95 and Panasonic Lumix DMC-LX 5? Read our updated review to find out.

click here to read our passionate 2010 test group compact Email comment Post print news discussion share: del.icio.us Digg Twitter Facebook

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Pentax mirrorless on: ' we never exclude nothing '

Pentax U.S. said it hasn't ruled out introducing a mirrorless interchangeable lens camera. Chris Pound, Product Manager, Digital Imaging Systems said: "If a product is economically reasonable and feasible, will come with it".

Talking about the current crop of ILCs mirrorless, Sterling told us ' Personally I would be very interested in that product '. Pound emphasized that Pentax is ' very in tune with what is happening in the market ' and talking about the current gap between the Pentax compact digital cameras and its entry-level DSLRs, commented ' I would love to see a Pentax product [there] '.

Talking about the K-5, Pentax's current flagship DSLR, Sterling told us that the reaction from consumers was "very positive". When questioned the price of the camera to the introduction, Pound admitted that he had some initial concerns about higher prices of the previous series K DSLRs K-5: ' we were a little worried about how customers would respond, but after seeing the performance of the camera we were less worried about, and we found that customers are responding very well to the quality of the product?

Although he refused to be drawn about future plans, pound said that Pentax is committed to having at least a midrange and a high-end DSLR on the market at any given time.

When asked what Pentax was input into the design of the sensor (Sony-constructed) in K-5 Pound, he explained: ' we had less input compared to the previous generation, where we worked with Samsung 's. He went on: ' Sony controlled development [of the new sensor] but have a very good history of this type of design and has proved very effective in K-5. It's nice to see us go with a good camera. '

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Olympus E-PL 2 announced and previewed

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Pre-CES 2011: Olympus has announced the Micro Four Thirds PEN E-PL2. Sitting below the E-P2 in the company's PEN lineup, the E-PL2 boasts the same 12Mp sensor but adds a raft of improvements, including a restyled body, larger LCD screen and improved AF. The innovative Live Guide mode, first seen in the E-PL1 has been improved too, and the E-PL2 comes with a redesigned version of the collapsable 14-42mm f/3.5-5.6 kit lens (which debuted with the Japan-only E-PL1s, last year). We've had a production E-PL2 in the office for a while - just long enough for us to prepare a full hands-on preview including studio comparison and real-world samples.

Click here to read our hands-on E-PL2 preview

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Press Release:

POWERFULLY SIMPLE OLYMPUS PEN SYSTEM GROWS WITH INTELLIGENT ENHANCEMENTS AND BLUETOOTH CAPABILITY: Enhance Your High Definition Videos and Stills with Movie and Still Compatible Lens Technology, New Live Guide II, More Robust Art Filter Effects and a New Range of Accessories

CENTER VALLEY, Pa., January 5, 2011 – Today Olympus announces the new powerfully simple PEN E-PL2, the fourth generation of the award-winning and pioneering Olympus PEN family of compact interchangeable lens digital cameras. Known for pro quality, point-and-shoot simplicity and high-definition video, the PEN E-PL2 continues the PEN family's legacy of simple design, intuitive interface and Digital Single Lens Reflex (DSLR) image quality. The new camera also expands your creative potential with Live Guide II, new in-camera creative features, new auxiliary lenses, a new Close-Up Spotlight accessory (MAL-1) and the new Olympus PENPal? Bluetooth accessory. Capturing amazing still images and HD video just got a lot more fun. Further proof that Olympus lets you capture it all.

Outstanding Features:

MSC Lens - the new Movie & Still Compatible (MSC) ED m14-42mm f3.5/5.6 zoom lens (28mm-84mm equivalent) features a high-speed, silent autofocus during still shooting and high definition (HD) video capture; New 3" 460,000 dot LCD - for bright and easy image composition; Live Guide II - preview HD video and still image effects on the E-PL2's high-resolution LCD screen to achieve the perfect result effortlessly;Art Filter Variations and Enhancements -- choose from different art filter looks to expand your creative horizons or overlay different art filters to create something new, now with full manual control;ISO 6400 - take great low-light photos with the camera's increased ISO sensitivity; New Ergonomic Body Design - shoot stills and videos comfortably with a more ergonomic grip and updated button placement and functionality for ease of use; and
Face Detection with iDetect - an amazing new function makes it easier to capture the spirit of your subject, automatically making a person's eye the focus point of the image. The E-PL2 further reduces the chance of blurred subjects in images by recognizing up to eight faces, tracking them within the image area, and automatically focusing and optimizing exposure for sharp portraits.

At an affordable $599.99 with the new MSC ED m14-42mm f3.5/5.6 zoom lens (28mm-84mm equiv.), the 12.3 megapixel ergonomically-designed E-PL2 is perfect for everyone from beginners, who want to expand their creative horizons, to experienced photographers who desire high-quality results without the size and weight of a traditional DSLR.

"The innovative PEN E-PL2 is designed to go with you and grow with you – it's the total compact multimedia package," said Katie Roseman, product manager, Olympus Imaging America Inc. "We've expanded everything but the size of the camera. Live Guide II, new art filter variations and enhancements for instant gratification, three converter lenses and MAL-1 close-up spotlight will all help grow your creative potential, while the Olympus PENPal lets you send images straight from the camera to your smart phone for social sharing."

New Lens Optimized for Video and Image Stabilization for Every Lens
The E-PL2 comes with the new Movie & Still Compatible (MSC) ED m14-42mm f3.5/5.6 zoom lens. This new kit lens has a smooth, silent and uses a quick inner focus mechanism to make it exceptionally fast and nearly silent when recording high-definition movie. The M.Zuiko Digital MICRO Four Thirds? lenses are designed to be more compact and portable, just like the E-PL2 itself. In addition to the kit lens, choose from the ED m17mm f2.8 lens (34mm equivalent), the super wide-angle zoom ED m9-18mm f4.0-5.6 lens (18-36mm equivalent), the high-power wide to telephoto zoom ED m14-150mm f4.0-5.6 lens (28-300mm equivalent), the wide zoom ED m40-150mm F4.0-5.6, or the super telephoto ED m75-300mm f4.8-5.6 (35mm equivalent 150–600mm).

If you're looking for even more options, the MMF-2 Four Thirds? System Lens Adapter makes the E-PL2 compatible with all Olympus Zuiko? Digital Specific lenses and other Four Thirds System lenses from Sigma, Panasonic and Leica. Olympus OM film-based lenses can be attached to the E-PL2 with the MF-2 OM Lens Adapter, and third-party adapters have been developed for lenses from most other manufacturers.

New Live Guide II for Stills and Movies
The PEN E-PL2's Live Guide II takes the E-PL1's popular Live Guide interface for stills and expands it to preview effects for HD videos. Live Guide takes the guesswork out of great photography and videography by previewing effects at the touch of a button. Want more vivid or muted color in your shot? Want warmer or cooler color? Want a brighter or darker subject, or a sharper or softer background? Or maybe you want to capture the fast-moving action of your subject with a little artistic blur, or perhaps freeze the action? Simply select Live Guide and turn the wheel on the back of the camera to slide through numerous photographic and videographic effects. Make adjustments and watch the LCD as the effects are made live – before the image is captured! Don't worry about learning technical things like f-stops, shutter speed and white balance; jump right in by composing, adjusting exposure and more before the shot is taken.

Seeing the results before snapping the image or shooting a video ensures you are getting the results you want, and it will change the way you use your camera. Shooting Tips are also available with Live Guide, so you can leave the manual at home.

Limitless Creativity with New Art Filter Variations and Enhancements
Olympus pioneered easy-to-use in-camera art filters for still images captured inside its E-System DSLRs and was the first company to offer the ability to apply art filters to HD video recordings captured with the PEN E-P1 camera. The E-PL2 features six art filters: Pop Art, Soft Focus, Grainy Film, Pin Hole, Diorama, and Dramatic Tone. For the first time, the E-PL2 also features art filter variations and enhancements to maximize your creativity and expand the potential results. Give your images a different look by choosing from six art filters. Overlay an art effect over an original image with or without an art filter. Shoot a sunset with Pop Art and then add the Pin Hole Effect. Take a portrait in Grainy Film and then add a funky art frame. The possibilities are limitless.

Whatever you create, it will be easy to display on the big screen. When you're ready to share your work, just plug the E-PL2's camera into any high definition television (HDTV) using the camera's HDMI output with an optional HDMI cable (sold separately) and show it off from the comfort of your living room.

HD Videos and HDMI Control for a Home Theater Experience
The E-PL2 shoots gorgeous 720p HD video, so you'll always capture the moments you cherish in clear, crisp high-definition at the touch of a button. With HDMI Control, playback is also a breeze. You'll be the hit of the party or any family event when you proudly display your brilliant images and movies on HDTVs. Simply connect the camera to an HDTV with an optional HDMI cable. With HDMI Control, you can use your HDTV's remote to control playback functions and navigate the camera's menus from the comfort of your couch.

New Optional Accessories for Every Shooting Challenge
Along with the E-PL2, Olympus unveils five new accessories to further expand what you can do with PEN cameras.

Add-on Conversion Lenses - Olympus has three new affordable and compact conversion lenses that mount on the new MSC ED m14-42mm f3.5/5.6 zoom lens to further expand what you can do with the E-PL2:
Fish-eye Lens Converter (FCON-37): captures a distorted hemispherical image covering 120? - to generate dramatic shots and edges that wrap around the frame of your image;
Wide-angle Lens Converter (WCON-37): enables the user to capture a broader shot, for example, to include more people in a photograph. It dramatically alters the proportions of close and distant subjects. Subjects close to the lens appear much larger, while subjects in the background appear smaller – creating a dynamic sense of depth; and
Macro Lens Converter (MCON-58): Enables the user to capture fascinating close-ups from as little as 24cm. away from the subject (depending upon the lens in use). The MCON-58 is also compatible with the ED m14-150mm f4.0-5.6 lens (28-300mm equivalent), ED m40-150mm F4.0-5.6, and ED m75-300mm f4.8-5.6 (35mm equivalent 150–600mm) for close focusing shots.Macro Arm Light (MAL-1) - Not one, but two bright LED lights – each on the end of its own fully flexible metal arm and powered by the camera. Both arms extend up to 17cm. from a sleek and slender unit mounted on the camera's Accessory Port. For macro shots or attractive close-ups of small items or for online auctions, the MAL-1 is ideal for getting the lighting just right.PENPal - A sleek communication unit for storing up to 2600 images and transferring them via wireless Bluetooth to other Bluetooth-enabled devices, such as a mobile phone, PC or even another PENPal-equipped camera. From there it's easy to share them with friends in online communities or via e-mail.

In addition to these accessories, the E-PL2 is compatible with the optional VF-2 detachable electronic viewfinder, which provides 1.15x magnification and a 100 percent field of view with sharp resolution, brightness and contrast, and the optional SEMA-1 external microphone adapter set for those who want to capture enhanced audio with any microphone that has a 3.5mm plug. These optional accessories easily slide into the camera's accessory port and hot shoe.98

In-camera Image Stabilization that Supports a Wide Range of Lenses
Olympus has Image Stabilization built right into the body of the E-PL2. This means that any lens (MICRO Four Thirds, Four Thirds and any third-party lens) attached to the E-PL2 will deliver blur-free images thanks to three modes of in-body Image Stabilization that automatically compensate for camera shake, including in low-light situations or when shooting without a tripod.

Achieve More with Automatic Features Including New iDetect
The E-PL2 features Face Detection with a new Eye Detection function called iDetect to make it easier to capture the spirit of your subject. This feature automatically makes a person's eye the focus point of the image. The E-PL2 further reduces the chance of blurred subjects in images by recognizing up to eight faces, tracking them within the image area, and automatically focusing and optimizing exposure for sharp portraits. In addition, the E-PL2 has a variety of automated technologies to free you up to focus on your subject instead of the camera settings.

22 Scene-Select Modes -- from portraits to sunset shots, the E-PL2 is equipped with 22 Scene-Select modes for effortless picture taking, including Fireworks, Sunset, Children, Macro and Panorama, to name a few. Capturing beautiful portraits is easy with the ePortrait mode that enables you to smooth your subject's complexion. There are even three scene modes that are specific to shooting with the new conversion lenses to optimize the performance of those lenses;Intelligent Auto (iAuto) Mode -- when you don't want to use the scene-select modes, the iAuto mode automatically identifies what you're shooting and adjusts settings to ensure you capture the best result for each situation you encounter; In-Camera Panorama -- capture three images and stitch them together to create one amazing, seamless panoramic picture. Or use the included OLYMPUS [ib] software to stitch up to 10 images together for the ultimate panorama; and iEnhance -- with this mode the warm yellow and orange colors of a sunset are heightened to a dramatically lifelike color that's truer to what you see with the naked eye. iEnhance is available in any mode, and automatically engages when using iAuto to enrich color in any subject.

Large Sensor for Excellent Image Quality
The E-PL2 features a large image sensor similar to the one inside the top of the line Olympus E-System cameras. The only difference between this sensor and what the pros use is that this big sensor is inside the much smaller body of the E-PL2. This high-performance 12.3-megapixel Live MOS Sensor (eight times larger than the average point-and-shoot camera sensor) delivers excellent dynamic range, accurate color fidelity, and a state-of-the-art amplifier circuit to reduce noise and capture fine image details in both highlight and shadow areas.

True-to-Life Color
The E-PL2's Live MOS image sensor is complemented by Olympus' TruePic? V Image Processor, which produces clear and colorful photos using all the pixel information for each image to provide the best digital images possible. The image processor is noted for accurate natural color, true-to-life flesh tones, brilliant blue skies and precise tonal expression; it also offers a maximum ISO sensitivity of 6400, to reduce image noise in photos shot at higher ISO settings, enabling great results in low-light situations.

World-renowned Dust Reduction System
The Olympus dust reduction system is an industry first and a proven technology. You don't have to worry about dust spots on your sensor ruining the perfect image every time you change lenses. Spend more time shooting with the E-PL2 and less time worrying about dust with the superior dust reduction system producing spot-free photos with the exclusive Supersonic Wave Filter, a patented ultrasonic technology that silently vibrates to remove dust and other particles from the front of the image sensor. Dust will no longer get between you and a great shot.

Flash Alternatives for Everyone
For low-light shooting situations photographers can select the built-in flash or choose an optional external unit. Wireless flash control is also possible with the E-PL2, making customized lighting set-ups an easy reality.

Underwater Housing for Aquatic Adventures
The new camera's compact design makes it the perfect companion for all of your dive trips. Olympus has designed a custom underwater case for the PEN E-PL2, the PT-EP03, which is waterproof to a depth of 40 meters (approximately 130 feet). With its durable, high-quality polycarbonate construction, this Olympus housing protects the camera from water while also cushioning it from knocks and bumps on land. The housing enables viewing from either the camera's LCD screen or an optional electronic viewfinder. Use up to two UFL-2 underwater flash units via fiber optic cable with the case's flash connectors. A non-removable front lens port accommodates multiple MICRO Four Thirds lenses.

Availability
The Olympus E-PL2 Kit will be available in January 2011. It includes the E-PL2 Body, M. ZUIKO MSC DIGITAL ED m14-42mm f3.5/5.6 Zoom, USB Cable, Video Cable, Li-Ion Battery Pack (BLS-5), Li-Ion Battery Charger (BCS-1), Shoulder Strap, OLYMPUS [ib] software CD-ROM, Manuals and Registration card.

U.S. Pricing / Product Configurations
E-PL2 Body with MSC M. ZUIKO DIGITAL ED m14-42mm f3.5/5.6 Zoom Lens
Estimated Street Price: $599.99

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Samsung announces ST30 10MP ultra-compact

Samsung has announced the ultra-compact ST30 digital camera. The 10 .1MP camera with 3 x zoom starting at a focal length equivalent to usefully wide 28 mm. The camera is, says the company, about the size of an average mobile phone, giving a good idea who they aimed the camera. It has all standard features such as Smart Auto mode and perfect portrait mode in hopes budget and comes with a list price of $ 99.95.

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Press release:

Samsung innovation Creates line slim and ultra-compact design to suit any occasion

SEOUL, Korea – January 19, 2011 –Samsung Electronics Co., Ltd, a world leader in digital media and digital convergence technologies, announced today the launch of the new ultra compact camera, the ST30. The most recent launch of Samsung strengthens its position as world leader in the design-led innovation to meet customer needs. Attractive and ultra compact model incorporates the key benefits of technology to capture great images wherever you go.

ST30 's small size and compact design means it is the perfect camera to fall into your bag or via slip into jeans pocket. With compact dimensions of ST30, about the size of a mobile phone camera is the ideal medium to use when the newest item in part or to catch up with friends. The ST30 with unique modern design finished with a metal body and whatever the colour of your outfit to party, ST30 has a corresponding color.

The ST30 offers great value, combining an attractive design with a feature set as the market leader, providing great moving images. The ultra-compact model really Pack a punch, with Smart Auto focus, a system, a 28 mm lens and 3 x optical zoom power, charging internal battery all contained within the body of fun-sized camera. Additional image stabilization provides real value to your camera experience, preventing even the tiniest shake, resulting in sharp images, no matter what your environment. Lens capability means that users can get more enjoyable moments in the frame of the party while delivering a more profound and advanced sensor 10.1 Megapixels offers sharp, crisp detail to make your images stand out from the crowd. The intelligent auto focus means that the camera captures automatically the perfect shot, so you never miss an important moment during any social gathering.

"We know that not everyone wants a compact size camera generally and ultra compact body ST30 means that you can do so that the camera experience a part of every aspect of your life, with a color to match every mood," said Mr. Hyunho Chung, Executive Vice President and head of the Digital Imaging Business, Samsung Electronics. "The small size means ST30 is the ultimate in portability and can fit in small bags and taken anywhere. It is further proof of our commitment to being at the vanguard in the creation of cameras that are not only fashionable and fun, but they offer a high level of usability and quality of the image ".

Technology to prevent camera shake
If you're trying to get to dance or acquisition of friends in motion, digital stabilization system stops ST30 tremble even the smallest and lets you take photos, clear images every time.

The perfect portrait at your fingertips through the advanced face detection technology
The ST30 helps ensure the perfect images are captured with the latest technology, face detection, red-eye correction and also the latest technology that detects the face flashing, so if it is bright lights or the Sun disco you can ensure that your eyes are open and ready for the perfect shot. The ST30 also evens out skin tone, Erases the imperfections and removes the dark circles, so you can check the quality of your appearance in any situation.

• 3 x Zoom Lens
• 28 mm equivalent wideangleAdditional Car Smart features •
• Perfect portrait system
• Face Detection, Blink Detection, Smile Shot, beauty Shot, Self Portrait
• Smart Album
• Function Description
• Photos style selector Post comment Email print share news discussion: del.icio.us Digg Twitter Facebook

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DxO Labs releases v6.5 DxO Optics Pro 5.3 for Mac & Win

DxO Labs has updated its raw converter DxO Optics Pro for Windows and Mac. Version 6.5.3 extends Raw support for Panasonic DMC-GH 2 and Sony SLT-55 in two Standard and Elite editions. It also includes additional 90 optical modules/camera lens. The latest versions are available at retail prices of $ 299 and $ 169 respectively or as a free upgrade for existing users.

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Press release:

January 18, 2011-DxO Labs is pleased to announce the immediate availability of v6 5.3 DxO Optics Pro for Mac and Windows that adds RAW support for the Panasonic DMC-GH 2 and Sony SLT-55 in two Standard and Elite editions.

Further, 90 new DxO Optics modules are now available to DxO Optics Pro users, covering a number of Canon, Nikon, Panasonic, Pentax and Sony cameras.

The availability and prices
DxO Optics Pro v6.5.3 for Windows and Mac, Standard and Elite editions are available from DxO Labs ' store online and selected retailers at the following prices:

DxO Optics Pro 5.3 v6 Standard edition: $ 169/$ 149 €/? 99 * DxO Optics Pro v6 5.3 Elite edition: $ 299/299 €/? 199 *

All customers who purchased DxO Optics Pro by June 1, 2009 are entitled to free an upgrade to version 6.5.3.

* € and ? prices include sales tax and VAT.

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Corel updates PaintShop Photo Pro X 3 software

Corel has released an updated version of its image PaintShop Pro Photo X 3 editing software. The latest version improves overall stability and extends Raw support for additional cameras including Canon EOS 60 D, Olympus E-1, Pentax 645 D and Panasonic DMC-LX 5. The update is available for immediate download from the website of the company.

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Olympus XZ-1 announced and previewed

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Pre-CES 2011: Olympus has officially announced the much-leaked XZ-1 enthusiasts' compacts. The basic specs are impressive: 28-122mm equivalent lens with a F1.8-2.5 maximum aperture range making it the brightest in its class. It also features dual control dials and a 3.0" VGA-equivalent OLED screen. But the really impressive thing about the XZ-1 is how those elements have been integrated. We've been using the XZ-1 and have prepared a brief preview to give some insight beyond the bare specifications.

Click here to read our brief preview of the Olympus XZ-1

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Press Release:

Dim the Lights and Get Ready to Shoot Brilliant Still Images and HD Videos
With the X-tremely Bright, X-tremely High-Quality XZ-1

CENTER VALLEY, Pa., January 5, 2011 – On the heels of the PEN? interchangeable lens digital camera revolution, Olympus takes their compact digital cameras to the X-treme with the introduction of an ultra-compact flagship camera and first of a new series, the XZ-1. Developed for the photographer or enthusiast who is looking for the ultimate high-quality, high-performance premium compact camera, the XZ-1 offers all of this, and more without sacrificing image quality.

Never fear the darkness with the XZ-1's super-bright built-in Olympus iZUIKO lens – the first built-in Zuiko? lens on a compact digital camera. The X-factor that achieves this category-defying quality: A combination of three state-of-the-art features: the X-tremely large, super-sensitive CCD sensor, the X-tremely fast TruePic? V image processor and the X-tremely bright, fast f1.8-2.5 iZUIKO digital lens. Further proof that Olympus lets you capture it all.

"The XZ-1 features one of the world's brightest built-in lenses on a digital compact camera to enable you to shoot high-quality still images and HD videos in any shooting environment, including difficult low-light conditions," said Katie Roseman, product manager, Olympus Imaging America Inc. "This camera will give you the versatility needed to take on any challenge without weighing you down."

Outstanding features: X-factor Style - full manual controls in a slim, stylish pocket-sized camera; X-ceptional Image Quality - a range of new features offer superior image quality, together with 10 megapixel CCD sensor with the TruePic? V Image Processor to produce sharp photos; X-cellent Low-Light Performance - iZUIKO f1.8-2.5 6.0-24mm lens for improved shooting in low-light scenarios, enhancing image clarity and drastically reducing grain.

Also featuring Dual Image Stabilization and an AF Illuminator to maximize performance in low-light settings; and X-treme Creativity -The XZ-1 offers six Art Filters, each of which uses different settings to create incredible photographic effects that would otherwise require additional lenses, filters or complex editing.

Additionally, the Live Guide on-screen setting offers quick tips for shooting different subjects (kids, pets and flowers, for example) assists the photographer with some of the more complex in-camera settings (aperture, shutter speed and exposure compensation, for instance).

X-factor Style
Whether you're an experienced Digital Single Lens Reflex (DSLR) or PEN shooter who wants a second smaller camera for trips and nights out, without sacrificing image quality or performance, or the aspiring enthusiast who is ready for a higher-powered camera, the new trendy XZ-1 has the features you need for high-quality images. With its thin, attractive matte black body, you'll be inconspicuous while you use the XZ-1 to take candid photos and videos in the shadows at a wedding reception. The XZ-1's body is small enough to easily fit in your pocket, yet feels solid in your hands and you can easily take it with you everywhere.

X-ceptional Image Quality
Whether composing still images or HD videos, photographers will appreciate the XZ-1's sharp 3.0-inch OLED monitor to frame and show off still images and High Definition (HD) movies in detailed 720p. The LCD displays 610,000 dots in vivid color, reproduces colors and shades more accurately with deeper black tones and consumes less power. The monitor also provides a wide-viewing angle ensuring that images can be composed from even the most obscure angles. A new graphic interface makes it easier to read text and find the settings you need on the fly, and Live Control enables intuitive operation allowing you to shoot photos while viewing the effects on the camera's LCD.

Shooting video is as easy as ever with the new Olympus XZ-1 camera. The camera captures all the action in crisp 720p HD video at 30 frames-per-second. The XZ-1's easy-to-reach record button on the back of the camera body makes recording videos a breeze. If you're about to snap a photo and you realize a video would capture the spirit of the scene even better, simply press the record button and instantly you're capturing videos! Easily toggle back and forth between capturing stills and videos by using your index finger to press the shutter button or your thumb to press the record button. Having the ability to shoot still images and videos opens up a world of imaging possibilities.

The XZ-1 pairs a high sensitivity 10 megapixel CCD sensor with the TruePic? V Image Processor to produce clear and colorful photos using all the pixel information from each image to provide the best digital images possible. The image processor is noted for accurate natural color, true-to-life flesh tones, brilliant blue skies and precise tonal expression; it also lowers image noise in photos shot at higher ISO settings (ISO 100 to ISO 3200), enabling great results in low-light situations.

The XZ-1 also offers the advanced manual controls that experienced photographers expect from digital SLR cameras. Shoot full manual, and also with a control ring around the front of the lens and the wheel controller on the back, the XZ-1 gives immediate access to the most important manual settings like ISO, aperture and shutter speed to make it easy to adjust the camera on the move. Three levels of exposure control using a neutral density (ND) filter distributes light offering greater flexibility to change the aperture and exposure time in different situations while allowing the photographer to take the best picture in any condition.

X-cellent Low-Light Performance
The iZUIKO f1.8-2.5 6.0-24mm (28-112mm equivalent angle of view in 35mm cameras) digital lens is a newly-developed 4x compact version of the legendary, high-quality ZUIKO digital lenses featured with Olympus DSLRs. With a minimum aperture of f1.8 at wide-angle and a maximum aperture of f2.5 at telephoto, this lens boasts super-fast shutter speeds for sharp, low-light images.

This aperture range also allows photographers to take portraits that highlight the subject by defocusing the background, a capability that is not normally possible in compact cameras. The lens is specifically designed for clear, high-quality photographic performance.

Apart from the speed of the f1.8 lens, the camera's low-light mode automatically adjusts the ISO sensitivity up to ISO 3200 to take sharp, full-resolution photos in dark places. The camera's iAuto mode automatically detects low-light scenes and adjusts the ISO accordingly for the best image quality. The camera also features an AF illuminator to make it simple to focus in low-light locations. The XZ-1 also features a low-light mode for even quicker access to maximize low-light situations.

If you're going to an evening at the theatre, the XZ-1 also offers Dual Image Stabilization to further assure you'll get the shot you want while holding the camera. Mechanical Sensor-Shift Image Stabilization compensates for camera movement in low-light conditions when shutter speeds are slower while Digital Image Stabilization freezes the action with high ISO sensitivity and fast shutter speeds that prevent blurry images often caused by a moving subject.

The XZ-1 has an easily accessible built-in pop-up flash to illuminate low-light subjects, reduce red-eye and fill in dark areas. The camera also is compatible with a range of optional external flashes, including the Olympus FL-14, FL-36R and FL-50R, so you can dynamically control lighting as your photography skills grow.

X-treme Creativity
Olympus pioneered easy-to-use in-camera Art Filters for still images captured inside its E-System DSLRs and was the first company to offer the ability to apply Art Filters to HD video recordings captured with the PEN cameras. The XZ-1 features six Art Filters that photographers can apply to still images and HD video: Pop Art, Soft Focus, Grainy Film, Pin Hole, Diorama and Dramatic Tone.

You even can create an in-camera slideshow that mixes still images, movies and sound. The camera incorporates five kinds of background music as well as slideshow control functions, including still image fade-in/out, sound recording volume and background music volume adjustment.

The XZ-1's Live Guide interface simplifies great photography and provides the results you desire at the touch of a button. Want more vivid or muted color in your shot? Want warmer or cooler color? Want a brighter or darker subject, or a sharper or softer background? Or maybe you want to capture the fast-moving action of your subject with a little artistic blur? Simply select Live Guide and press the up and down arrows on the back of the camera to slide through numerous photographic effects. Make adjustments and watch the LCD as the effects are made live – before the image is captured!

X-cessorize
To expand the camera's versatility, the XZ-1 includes an accessory port so photographers can attach optional accessories like the SEMA-1 external microphone adapter, the VF-2 electronic viewfinder or the newly introduced MAL-1 Macro Light. These optional accessories easily slide into the camera's accessory port and hot shoe.

The new camera's compact design makes it the perfect companion for all of your dive trips. The PT-050 underwater case has been customized for the Olympus XZ-1 and is waterproof to a depth of 40 meters (approximately 130 feet). With its durable, high-quality polycarbonate construction, this Olympus housing protects the camera from water while also cushioning it from knocks and bumps on land.

The XZ-1 makes sharing your content easier than ever. Just connect it to your HDTV with an optional HDMI cable and use your HDTV's remote to control playback functions and navigate the camera's menus from the comfort of your couch.

Colors and Availability
The Olympus XZ-1 comes in black and white and will be available in January 2011. It includes the XZ-1, USB Cable, Video Cable, Li-Ion Battery Pack, Li-Ion Battery Charger, Shoulder Strap, OLYMPUS [ib] software CD-ROM, Manuals and Registration card.

U.S. Pricing / Product Configurations
XZ-1 Street Price: $499.99

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